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| 'What Does Love Smell Like?' By Patrik Svensson |
Category: Economy and Minimalism
Patrik Svensson embraces minimalism in this piece of work
‘What does love smell like?’ Using just two colours and a handful of lines
Svensson has stripped the human portrait to the extent where the image is
purely “simplified and regularized lines” (34) yet it holds “subjectivity and
symbolism”(35). The lines in red demonstrate a silhouette of two faces that are
so simplified they become to look alike, demonstrating the ‘symbolism’ of
‘love’ as two figures reflect each other. This is what Svensson intended as you
can see in the image title. The red lines then lead to the shapes which form
the basis of a very basic eyes and nose. It is considered that “the minimal
suggested a radical formal simplification – a negation of all that was once
considered ‘essential ’in a work of art.” (36) Svensson has cleverly taken
advantage of this. As you can see in the selection of red lines on the left of
the image, Svensson has painted one small line to symbolise eyelashes,
representing a woman. The selection of red lines on the right do not have this
line, indicating a man. He has studied the portraits and chosen to only include
the information of those characters that he believes to be the most vital part
of their outline. Although the simplified image hasn’t got a lot happening, the
image is still intriguing. Svennson continues with the theme of “minimum
operating means” (37) with the tea stained background which gives the image a
comforting sense of completion as the different shades blend together making
the whole image a strong piece of art. References:
(34) Strickland. E (1993) Page 23
(35) Strickland. E (1993) Page 34
(36) Meyer. J (2001) Page 85
(37) Strickland. E (1993) Page 19

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